A DECADE IN THE MAKING
Mermora.
Caught in the Net.
A dress built the way a net is built — by hand, piece by piece. Rectangles of turquoise PVC are hand-cut and linked one to the next with o-rings, until the whole thing falls over the body like water made solid.
It covers almost nothing and frames everything: the light passes straight through it, and so does the gaze. Less worn than inhabited.
Chain, glass and light, woven by hand. The sea, made to wear.
NEW ARRIVALS
A first layer, held close.
The Opéra Sculpting Set is built to shape the body with precision and softness. A sheer Bralette ties in satin at the front, adjusting tension with a simple gesture. The Panier Brief frames the hips, structured yet light, while matching Leg Warmers extend the line of the silhouette.
Each element works in composition—layered, deliberate, and close to the skin. A foundation designed to be seen, or slowly revealed.
Opéra.
A final line.
The Opéra Thong/Mask is designed to shift between uses—worn as a thong or drawn onto the face as a mask. Cut in sheer tulle and edged with delicate lace, it traces the body with precision, leaving just enough revealed.
Light, adaptable, and intentional, it completes the composition. A finishing gesture, placed exactly where it’s needed.
Layer by layer. Dark by design. The cake before the curtain. The glaze before the touch.
A surface drawn over the body.
The Opéra bodysuit revisits a familiar silhouette, reworked in sheer tulle and finished with fine lace detailing. It follows the body closely, creating a continuous line—soft, controlled, uninterrupted.
Worn alone or layered, it settles into the skin, holding warmth and shape with equal ease. A second skin, composed in depth.
